Johnson Over Jordan
by J.B. Priestley 

October 14th, 2005 - November 27th, 2005

Written in 1939, JB Priestley’s Johnson Over Jordan follows the afterlife of Robert Johnson, a seemingly ordinary man who has died of pneumonia at the age of 51. Inspired by the Tibetan Book of the Dead, Priestley puts Johnson in a condition of what the Book of the Dead calls bardo, a kind of purgatorial intermediate state after the body has died but before the soul has been subsumed into the universe. And in this state of bardo, Johnson takes an extraordinary journey, a post-mortem dream of memories, hopes and regrets in which he is forced to recognize his failings and flaws and strip away all sentiment to see his true self.

Far more Franz Kafka than Frank Capra, Johnson Over Jordan is a surreal and spiritual trip into the absurdities, mundanities, and epiphanies of a life examined. It is, as its author described it, “an adventure in theatre.” It is a drama, a mystery, a meditation on life and death and everything in between.

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Holiday Fever!
Created by J.T. Austin and Dagney Kerr 

December 1st, 2005 - December 17th, 2005

“Holiday Fever!” is a comedy-variety show that draws its inspiration from “The Carol Burnett Show” and “Donny and Marie” – with a little bit of “Solid Gold” flavor accounting for the big hair, spandex, leg-warmers and sequins.

Creators J.T. Austin, (Disney’s “Beauty and The Beast,” Barry Manilow’s, “Copacabana”) and Dagney Kerr, (“DesperateHousewives,” “Buffy the Vampire Slayer”) invite you, your family and friends to an evening of cheesy carols, silly sketches, high kicks and ‘jazz hands’.

“Holiday Fever!” is a blast – celebrating the fun, crazy and wildly-entertaining lost art of a live variety stage show. Don’t miss it!

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TRIP Dance Theatre: Breath and Bone
 http://www.tripdance.org

January 6th, 2006 - January 15th, 2006

TRIP Dance Theatre dives into the ocean, onto land and into Breath & Bone to explore lost and found connections with our bodies, voices and primal instincts. Gorgeously textured live & pre-recorded original music in four channel audio, stunning costume and video design, passionate contemporary dance.

The creation of "Breath & Bone" was made possible with funding from the Los Angeles Department of Cultural Affairs, the Durfee Foundation, the City of Culver City Art in Public Places Fund and the Los Angeles County Arts Commission, and with the support of the APPEX Program. This performance of "Breath and Bone" and the premiere of "Warming the Skin" were made possible with generous support from Unknown Theater and TRIP Dance Theatre's individual donors.

ALSO AT UNKNOWN THEATER! JOIN US for 2 FANTASTIC NIGHTS of MUSIC with TRIP MUSIC ENSEMBLE & VOCO

Sit back (if you can keep from dancing!) and enjoy the lush sonic landscapes, soaring melodies and world rhythms of the TRIP Music Ensemble featuring the music of Charlie Campagna (Guitar/Cello) and Ron Bartlett (Percussion) with Eric Potter (Guitar), Hector Torres (Percussion) & Mia Campagna (Vocals).

VOCO, featuring Moira Smiley, Jessica Basta & Christine Green (Vocals), Jessica Catron (Cello) & John Ballinger (Percussion/Banjo) digs deep into the amazing spectrum of the human voice. Moira's original songs are often emotional, playful dialogues with sorrow, cynicism, and loss - somewhere between the wild precision of an Eastern European dance song, the rich rhythm of a South African mbira tune and the plaintive improvisation of an Appalachian or African-American spiritual. VOCO’s performances are joyous & moving, so bring your shakers & your hankies!

JANUARY 5th & 12th, 2006
2 Thursdays at 8 p.m.
$15 at the door or pre-paid online
Visit the Online Box Office to get your tickets!
Info: tripdance.org / moirasmiley.com

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Ballet Collective: Sweet Revenge, Other Passions
 http://www.balletcollective.org/

January 20th, 2006 - January 29th, 2006

Artistic Director John Castagna will be kicking off the 2006 season with a rollicking production of Sweet Revenge, (Die Fledermaus), Act I. Also on the program will be Artistic Consultant Stefan Wenta's Romeo and Juliet, (Balcony Scene). Castagna will be premiering his quintet Sisterhood of the Blue Snow. Heather Lipson will be performing Pointe, Joe Gutierrez will include his Pros and Cons, and David Sukonick will stage The Nutcracker, Pas Deux, (after Petipa). To complete the program Heather Lipson and Jennifer Webster will collaborate on their theater/dance work Love Poem.

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Scenes from an Execution
Howard Barker 

February 17th, 2006 - April 1st, 2006

The nation is at war. The government commissions a brilliant artist to render the war's greatest battle in oil and canvas, a master painting to hang in the national gallery. But the artist has issues. With art. With war. With truth. She sees the imperial triumph as human savagery, the victory as butchery, her role as not a government mouthpiece but as a reporter of reality. And as she commits her vision to a gigantic canvas, the political forces around her begin to consider the fact that she herself may need to be committed...to prison.

It could be the United States in the early 21st century. But it's Italy in the late 16th. Five-hundred years difference, yet the issues -- war, art, truth and the mighty weal of the government -- are not so different at all.

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Everyman for Himself
 

April 7th - April 29th

An evening of dance theater fusing dance, martial arts, capoeira, and acrobatics. "With Ameenah Kaplan providing the percussion accompaniment, the six-person ensemble is remarkable" - Uentertainment.com

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The Hothouse
by Harold Pinter 

May 19th, 2006 - July 1st, 2006

It’s Christmas day at a government run psychiatric hospital. One patient has died and another has just given birth. With the boss unraveling, and the employees unaware of the powder keg simmering beneath them, events hurtle hilariously to a horrifying climax. A riotous blend of farce and terror, The Hothouse is by far the funniest of plays written by Harold Pinter, one of the most original voices of the 20th century and recipient of the 2005 Nobel Prize for Literature.

Pinter wrote The Hothouse in 1958 but chose not to produce it until 1980. It remains one of the celebrated playwright's best kept secrets.



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Within The Unknown
 

July 13th, 2006 - July 16th, 2006

WITHIN THE UNKNOWN is the Unknown Play Project's annual new works festival - featuring plays at various stages of development - and designed to give the audience an inside look at the development process of a new play.

WITHIN THE UNKNOWN took place from Thursday, July 13th, 2006 thru Sunday, July 16th, 2006 at Unknown Theater in Hollywood.

The Schedule included...

Possession: The Legend Of El Rojo
A Musical Dance Drama featuring Incendio
Book & Lyrics by Mark Governor
Music by Incendio and Mark Governor

McGoogle
Written by Aaron Henne

The Cobler's Son
Written by Hugh Fitzgerald

Devil Dog Six
Written by Mary Fengar Gail

Mind Over Mother
Written by Annie Reiner

Customary Monsters
Written by Kyle T. Wilson

America
Written by Kim Yaged

Ticket Information
Workshop Performances - $12
Readings - $5 (Suggested Donation)
Rehearsed Readings - $10 (Suggested Donation)
Staged Readings - $10
Festival Pass - $20 Best Deal!

That's right...
Buy a Festival Pass and See It All for ONLY $20!

All shows at Unknown Theater.

Then, stick around Sunday night, immediately after the festival for Unknown Theater's LEASE-SIGNING ANNIVERSARY PARTY.

Featuring:
Cheap drinks!
Great music!
And all your favorite Unknowns!

Come help us celebrate!

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Danses Chromatiques
La Danserie http://www.ladanserie.com/

July 21st, 2006 - July 30th, 2006

La Danserie, the chamber-sized contemporary ballet company dubbed “the exhilarating collective” by the Los Angeles Times presents Danses Chromtiques, two weekends of new works. On the program, artistic director Patrick Frantz’s premier Appassionato showcases high velocity dancing set to Rachmaninov piano music; guest artist Alexandre de la Caffinière of the Berlin Opera Ballet performs his Ibou, a striking, sculptural solo; and Judy Pisarro-Grant premiers No Way/Any Way, with music by George Antheil, the self-described “bad boy” of modern music.

Formed in 1997, La Danserie has lived up to its description by the LA Weekly as “intrepid.” Over the near decade of its existence the company has performed throughout Los Angeles in a variety of venues including Highways Performance Space, the Los Angeles Theater Center, the Madrid Theater, California State University Northridge Performing Arts Center, and Moorpark College. This August the company makes its first appearance outside Los Angeles, bringing Danses Chromatique to the Marjorie Luke Theater in Santa Barbara.

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The Playground
Written & Created by: Michael Justen
Music & Lyrics by: Beth Hart, Sebastian Sage, & Michael Justen
 
http://www.theplaygroundlive.com/

September 7th - 30th

THE PLAYGROUND is a powerful rock-drama inspired by the true events of teenage runaways and street kids that combines live theatre, rock music, urban vibes, video, and street style dance. Michael Justen adapted their stories from journal entries, interviews and documentaries.. Members of the production team and cast spent time on the streets without food or money with actual street kids to gather true stories for the production. THE PLAYGROUND has joined forces with Los Angeles Youth Network in efforts to promote community involvement to end teenage homelessness.

In the darkest of places, the “street family” offers a sense of belonging, the bonds of friendship, love, and unity in the constant struggle for survival. Bravely written scenes and intimate monologues impart a strong backbone to the interconnecting story lines. Fantasy and drug trips provide a canvas for the vocalists, making the music an entryway into the lonely corridors of their minds, saturated with dreams, fear, passion and hope for a better future.

THE PLAYGROUND features original music and lyrics by Beth Hart, Sebastian Sage, and Michael Justen.

The cast of THE PLAYGROUND features: Luke Barnett, Joey Borgogna, Chris Devlin, Rebecca Edmonston, Jonathan Halyalkar, Renette Johnson, Michael Justen, Erica Katzin, Michelle Kaufer, Michael Montoya, Rachael Page, and Lisa Schwartz.

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Dialogos (Dialogues)
A Shared Program from Rosa Negra Flamenco and Tango Gravitas 

October 5th, 2006 - October 15th, 2006

Download Flier See Rosa Negra Flamenco Demo Video

Experimental Flamenco Works from Rosa Negra Flamenco:
Rosa Negra Flamenco’s artistic director and award-winning choreographer, Deborah Greenfield, brings four new works and her particular innovative approaches to the expressive, rhythmic intensity of flamenco dance. Dancers Batista Gremaud and Vera Ninkovic join Deborah onstage, along with singer Marta Santa Maria and percussionist Fernando Diez. In addition, Moti-Moses Buchboot and Deborah meet in a collaborative, multimedia duet.
For more info on Rosa Negra Flamenco visit: www.rosanegraflamenco.org

Argentine Tango and Beyond from Tango Gravitas:
Moti-Moses Buchboot, with partner Chelsea Eng and others, present a unique and compelling exploration of current social and political issues, expressed through traditional Argentine tango, contemporary dance styles and a melding of these genres. Moti and Chelsea’s energizing choreography and provocative performance bring a twenty-first century vision to Argentine Tango.
For more info on Tango Gravitas visit: www.organictango.info/index_LA.htm

Special Promotion!
Buy 3 tickets or more and attend a free flamenco dance workshop on Tues, October 10th, 5-6.30pm at the theater! Just show up on the 10th, no reservation is necessary, as long as you buy 3 tickets or more! Bring a print-out of your ticket confirmation and hard-soled shoes.

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Don't Look Now
by Kenneth Patchen 

EXTENDED: January 4th - 21st, 2007

Unknown Theater is pleased to announce a three-week extension of Don’t Look Now, a haunting Cold War era black comedy written by beat poet Kenneth Patchen. Tickets now available for January 4, 2007 through January 21, 2007! Unknown’s Artistic Director Chris Covics has earned critical and popular acclaim for intoxicating productions of unknown gems and puts his signature stamp on the topsy-turvy, beat-infused world of Don’t Look Now. Not to be missed, this critically acclaimed production features live improvisational jazz, beat poetry, and an upside down living room!

The Worthcrofts, your typical 1950s nuclear family, have suddenly found themselves standing on the ceiling of their living room – that’s right, on the ceiling. With the doors, windows, and phone out of reach, they desperately try to escape. Meanwhile, a bizarre vacuum that makes speech impossible, is gradually consuming the ability to be heard – forcing them to find a way to turn the world right side up before they are trapped forever in silence. With the help of a hypnotist, a jazz poet, and a man with a radioactive head, they soon realize that there is only one way out of this crazy predicament – to love one another.

In 1958, beat-poet Kenneth Patchen wrote Don’t Look Now during a physical respite from a debilitating spinal ailment that left him semi-paralyzed for much of his life. Momentarily free from the prison of his withering body, he saw his country in its own state of emotional paralysis, subsisting in the paranoid fear of nuclear terror. He saw people isolated and unable to reach out to one another on any level but the most superficial. The play, at once hilarious and tragic, is a desperate call for all of us to come together in love and appreciation for one another. Or, in his own words: “We must learn to love one another… if one man fails to believe, then there can be no faith in the world.” In 2007, as our country finds itself once again in the throws of terror and fear, the play, featuring live jazz and beat poetry, now holds as much resonance as it did when first staged nearly 50 years ago.

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Collision Course
The Greatfruit Collective 
http://www.myspace.com/thegreatfruitcollective

January 25th, 2007 - February 4th, 2007

If you saw a meteor heading straight for you, what would you do? Hide in a hole? Create a contraption? Tell some stories?

The GreatFruit Collective asks you to sign up for an introductory course that explores this metaphorical dilemma. Come watch the experiment as particles and waves collide in the forms of bodies, sound, and an approaching 18-mile meteor.

The GreatFruit Collective is an interdisciplinary group of writers, dancers, actors, video, and sound artists who are dedicated to exploring, sharing and combining the languages of their artistic mediums. Embracing an adventurous spirit we often find our creative journey traveling through intimate levels of abstraction and absurdity but never far from a grounding emotional and spiritual core. Founded in Los Angeles in 2003, The GreatFruit Collective has performed at Highways Performance Space, California Institute of the Arts, Plaza de la Raza, The Anatomy Riot, The Electric Lodge, and Sola Contemporary Dance Festival.

The current project Collision Course is conceived, directed, written, and choreographed by Alexander Marchand and Alyson Boell, performed by Wanda Gala, Chris Anderson, and Kate Fox, sound design by Bob Bellerue, and video design by Levi Brewster.

For more information about the GreatFruit Collective go to
www.myspace.com/thegreatfruitcollective

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30 Seconds Til Left Field
UN-titled Dance Co. 

February 9th, 2007 - February 11th, 2007

What do you have when you combine true art, a multitude of dances styles, intense theatrics, and three critically acclaimed Hip Hop Choreographers?...

You have the experience of the… “UN-titled Dance Company”.

UN-titled Dance Company returns to Southern California in their first full theater production, “30 Seconds Til Left Field”. This new production displays the limitless area in which all things exist and move. There are no boundaries, and there are no rules. It’s where you go to express your passion and creativity in a dramatic and wordless storyline through theatrical dance. “30 Seconds Til Left Field,” is a Broadway style production, which will introduce to some and welcome back so many others to UN-titled’s personal style of movement, nationally and internationally dubbed as a, Contemporary Hip Hop Ballet. This will be an experience for the entire family.

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The Serpent
by Jean-Claude van Itallie 

March 9th, 2007 - April 7th, 2007

In a passionate ceremony twelve ensemble members bring you on a journey of movement, sound, and unforgettable poetry. It is a ritual designed to give the actors and audience an opportunity to challenge and honor the beliefs and ideas that define them. Originally created by the Open Theatre in 1967, The Serpent is realized again through the synthesis of 1960s improvisational physical theater and Unknown Theater’s own audacious and evocative style.

Opening with a rigorous examination of the assassinations of John F. Kennedy and Martin Luther King Jr., the ceremony turns to the Book of Genesis, to search for meaning, resonance, and the roots of this enduring presence of violence and fear. It is within these communal stories from our beginning that The Serpent simultaneously embraces and struggles with the consequences of antecedent decisions we cannot change and the possibilities still left for us to choose. No longer in the beginning and unknowing of the end, it is in these ancient stories we now find hope.

Re-imagining the stage at Unknown Theater, Chris Covics has constructed a modern day arena filled with 3,000 lbs of dirt. Performer and audience alike sit within the ritualized ring, surrounded by a 14’ tall scrim cylinder of projected images and light. A cacophony of alluring sights and sounds, The Serpent is a wildly theatrical experience that you will never forget.

There will be no Sunday evening performance on March 18, 2007.

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Poisoning the Well
TRIP Dance Theatre http://www.tripdance.org

April 13th, 2007 - April 29th, 2007

Following last year's sold-out Unknown Theater run, TRIP Dance Theatre offers the premiere of "Poisoning the Well", a foray into humankind's complex relationship with the earth.

Through dynamic contemporary dance, sculptural costume design, stunning video imagery, shadow play, and live, original music featuring amplified handmade instruments, "Poisoning the Well" celebrates the way nature feeds our souls whilst exploring the dramatic and often devastating impact humans are making on the planet.

With beauty, drama and humour, TRIP brings to life the worlds of cranes, bark bettles, monkeys, fish, humans and polar bears in arctic landscapes, green rice patties, swirling gyres of plastic, red tides and "drunken forests".

THREE WEEK RUN - April 13- 29, 2007 Fridays & Saturdays at 8 p.m. / Sundays at 6 p.m.

ALSO AT UNKNOWN THEATER! JOIN US for 2 FANTASTIC NIGHTS of MUSIC with ON ENSEMBLE and MOIRA SMILEY & VOCO

April 12th at 8pm
ON:Trio With the powerful rhythms of ensemble taiko music at its foundation, the On Ensemble (pronounced "ohn") combines the musical talents of its members into unique and provocative performances. As a CDBaby review put it "On Ensemble beautifully combines folk, jazz and rock into a tightly-woven fabric making full use of acoustic potential before adding tasteful electronic colors." Featuring three On Ensemble artists with musical experience ranging from centuries-old Kabuki music to jazz, rock and electronica, "ON:Trio" is a one night only performance of ground breaking music.

April 19th at 8pm
VOCO, featuring Moira Smiley, Jessica Basta & Christine Green (Vocals), Jessica Catron (Cello) & John Ballinger (Percussion/Banjo) digs deep into the amazing spectrum of the human voice. Moira's original songs are often emotional, playful dialogues with sorrow, cynicism, and loss - somewhere between the wild precision of an Eastern European dance song, the rich rhythm of a South African mbira tune and the plaintive improvisation of an Appalachian or African-American spiritual. VOCO’s performances are joyous & moving, so bring your shakers & your hankies!

$15 pre-paid online or $18 at the door
Visit the Online Box Office to get your tickets!

More Information: OnEnsemble.org / moirasmiley.com

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Caligula
Albert Camus 

May 25th, 2007 - June 30th, 2007

A 26 year old boy finds himself in control of the world as emperor of Rome. With youthful idealism and unlimited power, Caligula is going to teach the older generation a lesson—even if it kills them.

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I Dream America
Contra Tiempo 

July 5th, 2007 - July 15th, 2007

2006-2007 has seen contra-tiempo and Alvarez embark on a new collaboration: "I Dream America". "I Dream America" is a Urban Latin movement opera, which primarily seeks to engage the tensions, commonalities, strains and histories between the Black and Latino communities. Traversing the political landscape of immigration, the civil rights movement and Hurricane Katrina, "I Dream America" will investigate compassion and peace and paint a disarming and thought-provoking critique of contemporary life and injustice. Parts of the piece were debuted in in Mexico this October (2006) as part of the Festival Internacional de Teatro de Los Angeles (FITLA). The first full performance will be debuted at the Unknown Theater this July 2007. For more information about this company check out www.contra-tiempo.org

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The Frame of Mind
Ptero Dance Theatre http://www.pterodance.org

July 19th, 2007 - July 29th, 2007

"Religion and spirituality can be life affirming or life threatening. PTERO Dance Theatre explores that theme in this evening of dance theater."

PTERO Dance Theatre is a Los Angeles based dance theater company. Through the performance of original works of dance theatre, PTERO communicates themes universal to the human experience. PTERO is inspired by art, literature, current events, and the process of personal growth and development, in the creation of its emotionally rich, imaginative, thought provoking, life affirming works. PTERO strives to make dance accessible to the community through lecture demonstrations, class for at risk youth, and discounted performances. PTERO endeavors to bridge the gap between its artists and our audience.

"Birds make great sky-circles of their freedom How do they learn it?
They fall, and falling, they're given wings." - Rumi

PTERO Dance Theatre was formed in Spring 2004. At the Entrance of An Idea, performed at Highways Performance Space, marked PTERO’s second major production, and was selected as one of Los Angeles Magazine’s “Top Ten” events in October 2005’s Guide section. PTERO was part of the “Four insightful, high-profile female choreographers…” (LA Weekly) sharing an evening, Variegate, at Highways Performance Space in 2006. PTERO (Pronounced terr-o, Greek for "wing") created its inaugural full evening premiere Candle in the Sun at the Ivy Substation through a grant from the City of Culver City in 2004. The company has received grants from The Puffin Foundation LTD in 2004 and 2006. The company was recently awarded two Lester Horton awards for their work in 2005. In just two years, the company has garnered nine Lester Horton Award nominations, including consecutive nominations for Outstanding Achievement "Performance" and "Choreography." The company has also performed at the 2006 Brand Library Series, 7th Annual Los Angeles Dance Invitational, San Diego’s Celebrate Dance Festival, Barnsdall Gallery Theatre and has toured in Mexicali and Tijuana, Mexico.

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Walking into Traffic
a new comedy by Kyle T. Wilson 

August 24th, 2007 - October 13th, 2007

If you thought you were tired of hearing nothing but bad news on the radio during your morning commute, you should try reading the stuff. Such is the plight of Sophie Snyder, KCMA's top news person in Los Angeles. Today she finally cracks, quits her job, and hits the streets to make some news of her own. Bart Barton, a sleepy sad sack who still lives with his mother, is the only one who hears her, and he hits the streets himself to dry her tears. With the help of a teenage rebel and an aging mother, Sophie and Bart dazzle paparazzi, dodge traffic, and duke it out with the Department of Homeland Security in a hilarious dash to steal just a glimpse of an ideal world.

This fast-paced, mad-cap comedy with big characters, and an even bigger heart, features Unknown Theater ensemble members Ed Dyer, Todd Gallahan, Sasha Harris, Kyle Ingleman, Shelby Janes, Craig Johnson, Joe Nicchi, and Goreti da Silva. Artistic Director Chris Covics, recently named one of the top ten artists to watch in Los Angeles by L.A. Stage Magazine, directs and provides another uplifting design.

Unknown Theater is proud to present our first World Premiere to come from our Unknown Play Project. For more information about this new play project and about Kyle T. Wilson, visit click "more about the show" above.

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Turtles All the Way Down
Simone Forti 

October 18th, 2007 - October 28th, 2007

Simone Forti, Terrence Luke Johnson, Sarah Swenson and Douglas Wadle engage each other to provide an evening of sound, movement, words, reflection, humor and the unexpected revelations that only improvisation can bring. Their work is acid and sweet, funny and dead serious.

Each performer gives play to his/her own subject of interest and way of thinking, as together they weave glimpses of the world. The work is based on two premises. That if you move as you speak, your rational thinking and your body’s feeling for landscape, timing and energy, will interact. And that any four subjects will shed light on each other in particular ways. Each night, the performers decide which of their scores to work with, and though they know what subjects they will be touching on, they don’t know where the cross currents of their thoughts and energies will lead them. Performers and audience alike will be connecting the dots between travels in India, love, Italian genealogy, the rise of fascism, and ways of knowing. As each performance will be unique, you may want to visit Turtles All The Way Down more than once.

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Attempts on Her Life
by Martin Crimp 

November 10th, 2007 - December 15th, 2007

Artistic Directors Chris Covics (Unknown Theater) & Bart DeLorenzo (Evidence Room) are teaming up to co-direct the Los Angeles premiere of Martin Crimp's Attempts on Her Life, featuring members of both companies, the ensemble. The production begins performances November 10, 2007 at Unknown Theater.

In a series of 17 "scenarios for the theater", Martin Crimp presents a panoramic image of our age, a channel-hopping journey through the culture of the moment. From pornography and dance numbers to terrorist paranoia and luxury car advertisements, its compelling array of unnamed characters attempt to invent a story to capture our time in all its startling contradiction.

Attempts on her Life premiered at the Royal Court Theatre in London ten years ago and has been revived frequently since, most recently this past spring in a landmark production directed by Katie Mitchell at London's National Theatre. The play has been performed all over the world and translated into more than 20 languages. Commonly hailed as Martin Crimp's masterpiece, this is its Los Angeles premiere.

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Naked Yoga
Alex Carver 

January 4, 2008 - January 13, 2008

A new comedy by Unknown Theater Company member Alex Carver!

She came! She saw! She kicked his butt!
And he never knew what hit him.


Limited Two Week Engagement
Opens Friday January 4th at 8pm
Saturday January 5th at 8pm
Sunday January 6th at 6pm
Thursday January 10th at 8pm
Friday January 11th at 8pm
Saturday January 12th at 8pm
and closes Sunday January 13th at 8pm

Get Tickets!

Based on a true story, Naked Yoga is a contemporary comedy that examines modern sexual politics in a confined space, and reveals how quickly a powerful woman can move in on a weak man's territory, turn it upside down--changing him and everything around him.

Written and directed by Alex Carver
Assistant directed by Ed Dyer

And featuring...
Boomie Aglietti, Danielle Hartnett, Dion Lack, Kelly Lett, Rodrigo Robles, and Elizabeth Southard

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Hollywood Ballet
 www.hollywoodballet.com

January 17th - Janury 27th, 2007

'Amazingly talented" (American MENSA)
"Fabulous work!" (Dance Spirit magazine editor Kathryn Holmes)

Music and passion in motion, Hollywood Ballet is Hollywood's own contemporary/ballet and lyrical dance group.

Under the artistic direction of Choreographer Rick Heiman, Hollywood Ballet launches Unknown Theater's 2008 Dance Series with premieres of Ghost Frog, a modern jazz work set to music by Parisian composer Phasme, and sections of Requiem XXI, set to Mozart's Requiem. Also included in the evening are other favorites including Green, a modern dance solo and Strange Visitors, set to Rodrigo's Concierto de Aranjuez, and much more.

As part of Hollywood Ballet’s commitment to provide opportunities for young performers, they are pleased to be joined for its run at Unknown Theater by guest dancers from the Los Angeles County High School of the Arts and Santa Susana High School.

For more information about Hollywood Ballet please visit www.hollywoodballet.com

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Accidental Death of an Anarchist
by Dario Fo 

February 8th - March 29th, 2008

It’s just before Christmas in 1969, and several bombings in Milan and Rome kill 17 civilians. Fingers point, and the non-violent anarchists become fascist scapegoats. A few days later at midnight, after an interrogation, there’s a dead anarchist splattered all over the sidewalk outside the police headquarters. Did he jump? Was he pushed? Police claim suicide; official enquiry claims accident. Bit ambiguous, you see. Cover-ups, threats and secrets become a virus as the public buzzes with panic, confusion and suspicion.

Based on the true story of one political party’s attempt to hijack the Italian government, which triggered 10 years of viral fear and violence, Accidental Death of an Anarchist re-opens this famous controversial enquiry with plenty of knee-slapping comedy and haunting relevance.

In a modern day democracy, do the citizens still control their government? Or, is it sometimes the other way around?

Amid police corruption, media manipulation, and political shenanigans, Dario Fo managed to find inspiration and an opportunity to respond to outrage with hilarious comedy—a powerful weapon against those who would threaten our liberties, corrupt our journalists, and bend the truth to control us all with fear.

Come watch as a maniac infiltrates the system, catches the cops with their pants down, and unearths the many levels of lies and deception. Side-splitting farce meets political debate. Accidental Death of an Anarchist was and is an opportunity to assemble and laugh out-loud about all of our fears and frustrations with our government and its pitfalls.

Liberal or conservative, Fo’s razor-sharp farce about police corruption, media manipulation and political shenanigans will leave you in stitches.

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Ganga - Life as a River
Arpana Dance Company 

April 3rd - April 5th, 2008

Along with co-director Priya Srinivasan (Asst. Prof. UC Riverside Dance dept.), Ramya Harishankar now explores new structures within the idiom of Indian Dance in this production.

‘An article on the River Ganga sparked the idea of a river as a metaphor for life.While this presentation draws from archetypal symbols of the Ganga as Woman and Goddess, it also brings together a different understanding of the lives of everyday women. From Ganga as the mythological figure known for her relationship to the God Siva, as a symbol of power, water, and the feminine, to the movement of the river itself as a young bubbling brook, a youthful exuberant water and life force, the mature calm but deep water, to the lives of women such as laundry women, a sweeper and a prostitute. The various stages of women’s lives are thus juxtaposed through the symbolic image of river, water, and life.’ explains Harishankar of the vision behind the theme.

Most traditional Bharata Natyam performances are set to a repertoire of music composed or set over hundreds of years for the art form. In this production, newly commissioned music, using digital sampling as well as electronic mixing, have been introduced by Babu Parmeswaran, the Music Director. In Indian dance, interpreting poetry and story telling are integral and performed through the language of symbolic gestures, kinetics and facial expressions. Pure dance or movement is often an expression of musical and rhythmic melodic sequences devoid of any lyrical interpretation. Veering away from this technique, the Arpana Dance Company explores new paths in ‘Ganga’. D’LO, a talented poet worked with the Company to create Spoken Word sections.

This project was partly funded by the National Endowment for the Arts and the Fund for Folk Culture.

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dirty mean tricks
Choreographed by Jennifer Li 

April 17th - April 27th, 2008

Come take a haunted carousel ride between the lines of reality and imagination in dirty mean tricks, a provocative interplay between music and movement. Comic tragedy blends with pop of the absurd in this cocktail of experimental choreography and live music by Velvet Monkey. Like a hall of mirrors, dancer and musician reflect one another to reveal the dirty mean tricks we play on ourselves when trapped by longing, obsession, and the monkey business inside our own minds.

dirty mean tricks is directed by Jennifer Li and choreographed in collaboration with featured dancers Hassan Christopher and Marissa Labog. Cast includes Sharyn Gabriel, Erika Jensen, and Uma Nithipalan. Live music by Velvet Monkey features music and lyrics by Marc Jackson. Design team includes set and lighting design by Laura Mroczkowski; costume design by Jamie Hebert, Ryan Heffington, Abby Nieto, Vanessa Porter; sound design by Marc Jackson; puppets by Michelle Zamora. Heleya de Barros produces.

For more on Velvet Monkey:
www.myspace.com/velvetmonkeymusic

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The Arianne MacBean Ballets [revisited]
Choreography by Arianne MacBean  www.dancemovingforward.com

May 1st, 2008 - May 3, 2008

As an Artist-in-Residence with the city of Los Angeles, MacBean returns to her 2000 signature dance-theater work with a new perspective. Originally found by the LA Times to "abound with humor and wit" this series of short "ballets" engage issues of ownership and performance. Eight years after first conceiving the work, MacBean addresses the same ideas still wrought with fragmentation, liminality, and alienation. But, in these Ballets, MacBean proposes art itself - the fleeting beauty of movement - can save us from ourselves. The Ballets expose the mechanisms working within the system of dance and the politics of the body, this time around, without discounting the power of hope and whimsy. Featuring the virtuosic talent of Nicole Clarke with members of The Big Show Co. The Ballets examine the relationships between choreographer, performer, music, theater space, and audience.

Choreography by Arianne MacBean
Live Music by Ivan Johnson

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Kingdom Come
translated by Dan Oliverio 

May 16th, 2008 - June 28th, 2008

In 1532, Atau Wallpa awoke from a foreboding dream -- a red bearded enemy would destroy his world. Almost immediately, Francisco Pizarro and his army arrived from Spain to conquer the Inca Empire. Yet, in the face of war and potential devastation, Atau Wallpa gave his people courage and hope. While Pizarro did defeat the Inca army and murder the great king Atau Wallpa, this cataclysm could not destroy the Inca heart. The undaunted spirit of the Inca people survives in the voices of the people who continue to tell their story.

Unknown Theater’s adaptation illuminates the universality and timelessness of this ancient story with the inclusion of the diverse ancestral history of eleven wanderers who find one another at the crossroads of Kingdom Come. Come meet the survivors of three thousand years of human tragedy and perseverance. Watch as they stumble upon the story of the fall of the great Inca Empire, and discover with them the healing power of this ancient culture.

Join us for Kingdom Come, a play about the Inca and a theatrical event about us all.

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Eleven Missing Days
Meg Wolfe/Show Box 

July 3, 2008 - July 13, 2008

Meg Wolfe/Show Box presents the premiere of Wolfe's Eleven Missing Days, plus work from exciting local and visiting guest artists...

July 3-6: Faye Driscoll (NYC) w/ Nikki Zialcita & Arianne Hoffmann (LA) w/ Kai Hazelwood
July 10-13: casebolt & smith (LA) & Sam Kim (NYC)

about Eleven Missing Days:

Doomed Love. Death. A Femme Fatale. Eleven Missing Days uses the stylized, low-budget world of film noir as a starting point in this contemporary dissection and chronicle of the theme of disappearance, up-ending the creative process itself.

Collaborators on the hybrid dance/theater/audio project include performers Jeremy Hahn, Rachel Lopez, Nancy Sandercock, and Rae Shao-Lan Blum; writer Mikki del Monico; and composer/sound artist Aaron Drake; with lighting design by JaNelle Weatherford.

The development of Eleven Missing Days is supported in part by an Artists' Resource for Completion grant from The Durfee Foundation; and by the UCLA Department of World Arts and Cultures Hothouse Residency (2007).

week one guests:

Faye Driscoll will present 837 Venice Boulevard, which simultaneously pokes fun at and transcends the construct of identity using absurdity and some irreverence towards social stereotypes, to illuminate how exhausting it is to have to keep being "somebody" all the time. The performers play "themselves", an ultimately confusing acting job as they weave through manipulative relationships, dark childhood memories, funny but sad psychological breakdowns and intentionally bad dance routines. 837 Venice Boulevard explores the lonelier edges of the question; How dependent is who you are on how others see you? This duet danced by Faye Driscoll and Nikki Zialcita is an excerpt of an evening length work premiering at HERE Arts Center in New York in November 2008.

Arianne Hoffmann presents Doing by Undoing # 2 A score for a solo for two, a choreographer and a scribe, it requires spontaneous decision-making as one works with limitations, and produces a detailed inquiry into repetition, perception and process. With Kai Hazelwood as scribe.

week two guests:

casebolt and smith will present In Other Words. In Other Words uses a unique tactical blend of theatricality, intricately timed movement phrases and humor to illuminate how events, information, politics, and emotions are distributed and interpreted; all at a 2 foot x 4 foot table. casebolt and smith "have telepathic chemistry and they step into serious territory in In Other Words, a compelling political commentary...this powerful dance theater is destined for Youtube play around the world." (Kris Eitland, Sandiego.com)

In spite of dread horror of the solo form, Sam Kim engages herself in AVATAR a SOLO. There is no story. There is no arc. There are no overt references. They are eviscerated. There is one insistent body in the room––precisely felt in AVATAR.

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An Attic An Exit
lean to productions 

July 17, 2008 - July 27, 2008

In this theatrical tour-de-force, Looney-tunes comedy meets magical-realist mystery in a single room crammed full with riddles, levitation, baking supplies, and two meticulously explorative twins you will never forget. An Attic An Exit follows these two white-faced, white-haired twins caught amidst the household clutter of saucers, silverware, and salt. Watch as they find escape from their confinement through an imaginary landscape of fetishization.

“One of the perennial thrills in attending arts festivals is coming across a work that had never registered strongly in the blizzard of pre-festival publicity. After the hype, comes the discovery. There was little buzz before hand about Lean To Productions’ An Attic An Exit, but the premiere of this 50-minute dance theater work (more mime than dance) proved a rare pleasure and, for this festival habitué, one of the highlights of the past two weeks… These people actually have respect for their audience… This pair knows their Looney Tunes… There’s theater magic here…”

-Allan Ulrich, VoiceofDance.com, 2008

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Fables du Theatre

A collaboration with Immanence Artists
 http://www.immanencetheatreartists.com

August 15, 2008 - September 27, 2008

Sex. Death. Clown.

Unknown Theater is thrilled to conclude its third season the way it began, with a wild collaboration with one of Los Angeles’ most respected companies, Immanence Theatre Artists.

Succubae, princesses, and clowns collide in an entertaining feast for the senses. Delight in the wonder that unfolds as these two companies pull out all the stops to bring you Fables Du Theatre, an intoxicating adaptation of three classic French fables for a modern world. With a touch of Jean de la Fontaine and a pinch of Hermann Hesse, the cast weaves a magical night of sex, death, and clowns.

Artwork courtesy Edward Walton Wilcox.

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Torn Between Two Bitches
by Michael Sargent 

October 10, 2008 - November 1, 2008

The 90's ‘Zine Scene gets skewered in this blistering world premiere comedy featuring serial killer art, do-it-yourself publishing, post punk & polaroids.

Jim & Debby Goat, the self-proclaimed angriest couple in Los Angeles, perversely re-locate to Portland, Oregon to escape their mainstream success as a result of the infamy generated by their foul self-published magazine “Don’t Buy This ‘Zine”. Their move puts them right in the trap of a teenaged fan of their ‘zine -- who is even angrier than they are -- challenging their 2 decade love/hate relationship. Where is there to go when success is the enemy of artistic credibility and your philosophy is failure at any cost!?

Rock Concert with theater or Theater with live rock? Nick Liberatore and Joel Rutkowski, the two-man wonder-band Elemenopy, blow the roof off the joint with a blistering original live score as well as twisted adaptations of rock favorites.

WARNING: This play contains nudity, violence, sex, drugs, & rock ‘n’ roll.

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Knowns At Unknown: Comedy Fundraiser
Hosted by Sarah Tiana and Laura Valdivia 

November 9th, 2008

Featuring Hollywood's hottest comedians including:

Kyle Dunnigan (Reno 911)
Bryan Callen (Mad TV, OZ)
Brian Keith Etheridge (The Joe Schmo Show)
Ian Bagg (Tonight Show, The Late Show, His Own Comedy Central Special)
& a "Special Guest" so secret their agent doesn't even know

$10 ADMISSION

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Killing Game
by Eugene Ionesco 

November 14th, 2008 - December 21st, 2008

In a typical city on an idyllic afternoon, a pair of infant twins turn purple, black and suddenly die. When it is announced to the inhabitants of the city that a mysterious plague with no foreseeable cure has transcended upon their city killing at random, fear spreads faster than the contagious epidemic, mass hysteria ensues, and no one is safe. In seventeen wryly hilarious and poignant scenes Ionesco illuminates the simple truth that in a world full of terror, religious and political strife, and a multitude of contagious injustices “fear is what they have to cure first”.

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Kingsley Irons
Kingsley Irons http://www.kingsleyirons.com

January 8th, 2009 - January 18th, 2009

Kingsley Irons presents:
Rupture
Kingsley Iron's visceral storytelling draws us into a mysterious female ritual space. In this fragile and brutal world with secretive shadowy figures, paper dolls, and women in birdcages, she questions our perceptions of tradition, history, power, and unity. She interweaves intricate movement, text, and visual art with a haunting original musical score composed by Derrick Spiva Jr. Rupture is influenced by Michel Foucault's treatise, Discipline and Punish, the reconstructed choreography of Vaslav Nijinsky's Le Sacre du Printemps, the visual art of Kara Walker, and Lars von Trier's films Dogville and Manderlay.

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Vibrating Sun
Vibrasol and Godess 13 

January 23rd, 2009 - February 1st, 2009

Latin influenced, sensual rock band, Vibrasol, partners with contemporary dance group, Goddess 13, for a Unknown special event to remember.

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Grand Motel
a world premiere comedy by Michael Sargent 

February 13th, 2009 - March 28th, 2009

Golden Globe nominee and British Academy Award-winner Dennis Christopher stars as a washed-up, degenerate playwright from the South, who, having fled disastrous out-of-town previews for his new play, checks into a Palm Springs gay motel to have a nervous breakdown only to find a kindred spirit by the pool in the form of a fucked up former male model with secrets. Grand Motel: a lonely place where even clothing is optional in this world premiere from writer/director Michael Sargent and artistic director/designer Chris Covics, the team behind last year’s controversial Torn between 2 Bitches. Plays February 13th through March 28th at Unknown Theater featuring company members Bruce Adel, Erik Hanson, Shannon Holt, Andy Hopper, Craig Johnson, Nick Soper, Nathaniel Stanton. Bringing the world of the play to life are Chris Covics (sets & lights), Paul Bertin (sound), and Anastasia Arten (costumes). The stage managers are Rebecca Balin and Caitllin Carlton.

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Hysterica Dance Company
Hysterica Dance Co. http://www.hystericadance.com

April 2nd, 2009 - April 12th, 2009

Layer upon layer of excess encrusts the dancers, creating stifling individual cocoons, which are peeled away to reveal the beautiful weight and reality of the human form. Working together on "Crust,” Hysterica's co-artistic directors Kitty McNamee and Ryan Heffington create a world of excess, illusion and heightened glamour. The challenge is to deconstruct the glamour/chaos that surrounds us in hopes of grounding ourselves in meaning, purpose and deepening emotional involvement.

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Samantha Giron Dance Project
Samantha Giron Dance Project Presents: Mongrels http://www.samanthagirondanceproject.com

April 16th, 2009 - April 26th, 2009

Samantha Giron Dance Project's MONGRELS captures the spirit of the underground electronic music community, in an evening-length, multi-form dance performance. It is an unorthodox synthesis of creative forms: classical violin blends with glitchy breaks; set and costume designers fuse delicacy with industry, earth with urban.Mongrels' dancers present a forceful yet elegant movement language that merges elements of club dance with modern dance technique.
"…Giron shined in a solo that accumulated force through an expandingweb of delicately folding and unfolding limbs." – L.A. Times, 2008

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The Sticking Place
A world premiere adaptation by Chris Covics 

May 15th, 2009 - June 27th, 2009

In this radical adaptation of Shakespeare’s most frightening play, Macbeth, four women find themselves in a hellish recurring nightmare where a grave decision has trapped them forever in a chamber of terror and despair. They reenact the events that have led them there over and over trying desperately to find their way back to Macbeth and eternal peace.

Developed with the ensemble through a long series of workshops and experiments, as a part The Unknown Classics Project, the story and theatrical imagery are a synthesis of Shakespeare's text, automatic writing, and images borrowed from the ensemble's dreams and nightmares.

Award winning director and designer Chris Covics stages this unforgettable nightmare in a sea of over 30 tons of gushing water. Shakespeare’s lush text, coupled with rain, mist, a violent torrent of water, unique multi-media, and a mind-bending soundtrack, make The Sticking Place a theatrical tour de force not to be missed.

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Collage Dance Theatre
Collage Dance Theatre http://www.collagedancetheatre.org

July 2nd, 2009 - July 12th, 2009

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Born Dance Company
Born Dance Company 

July 16th, 2009 - July 26th, 2009

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Liquid
An original anti-musical by Brenda Varda 

August 21th, 2009 - October 3rd, 2009

A new play by Brenda Varda, directed by Chris Covics

ICE MELTING, OCEANS RISING, MONSOONS DRENCHING, ISLANDS DROWNING...really, what is the world coming to?

Come to Mala Wana Tuvalu for a REAL island experience, and find out.

Dive in with Odam and Nevah on an epic journey, where Garbage Executives, Seasteaders, the Pirate League, GreenEarth Girls Gone Wild and more all try to survive the Liquid.....in the search for true love and a way to save the world.

Also check out the LIQUID WEBSITE for more behind the scenes tid-bits, photos and ticket info.



TICKETS : PAY WHAT YOU CAN!

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Black Leather EXTENDED!
An Original Comedy by Michael Sargent 

November 13th 2009 - January 30th 2010

A new comedy by Michael Sargent
Directed and designed by Chris Covics

Featuring: Kevin Daniels, Dustin David, Liz Davies, Kathy Bell Denton, Jan Munroe, and Michael Sargent as Robert Krapplethorpe.

Stage managed by Stephanie Simbari and Camille Phillips. Costumes by Danika Leigh.

Black Leather, a comedy of desperation set in New York City in 1981, is a trip into the heart of darkness through Tavern on the Green and the gutters of the Lower East Side. After a debaucherous evening of drugs, booze, S&M, high art and Vaseline, a famous photographer discovers he has put a hit out on a competitor. Did the desperate boyfriend pull it off? Can his best friend the rock-and-roll goddess save him from the electric chair? Tomorrow night, will he open his new show in prison stripes or in ...Black Leather?

Visit the More About the Show page for an interview with playwright Michael Sargent and director/designer Chris Covics.

Visit the Photos and Media images from the show.

This production launches an entire season of new plays by local legendary L.A. playwright, Michael Sargent, at Unknown Theater. After a remarkably successful last year with two productions at Unknown Theater (Torn Between Two Bitches, and Grand Motel), and one at The Kirk Douglas Theatre (The Projectionist), Mr. Sargent Continues his streak of debaucherous hilarity in 2010. Remaining plays in the season include: Control Me, an adventure into the world of CIA mind control; Billionaire$, a desperate picaresque seeped in internet gambling and dirty money; and Bad Day at Santa's Village, a holiday show for the merrily delinquent. Join us for this adventure into the dark side, and come away in tears from extreme belly laughs.

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Control Me AND Parents Who Love Too Much
TWO new comedies by Michael Sargent 

February 19th, 2010 - March 27th, 2010

CONTROL ME centers on Long John and Cherry, the king and queen of overnight AM radio famous for their lurid topics and good cop/bad cop style. But when Cherry flips out during a live show on CIA mind control, Long John decides to hypnotize her after the panel has left and the studio is emptied. Can Long John still love her after he hears her true story? Warning: This play is completely unauthorized and will make you paranoid.

In Parents Who Love Too Much the audience are flies on the wall at a 12-step meeting for controversial parents. The group is rocked by the arrival of a sensuous new court-ordered member. Can social worker Cherokee Ruby McGee teach them to love less?

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BRENDON BURNS
by Brendon Burns 

April 2, 2010 - April 11, 2010

“Mr Burns is a fucking genius”
-- Jane Borden, Time Out New York


That’s all we have to say. For two decades now the adopted Australian has been Britain’s most outspoken and number one cult comic. Since taking away the long-awaited Oscar of live Stand up comedy: the if.comeddie award for best live comedy show in 2007, Burns has been one of the most prolific and busiest men in show business both here and across the pond.

In late 2008 Burns recorded not one but two live DVDs for Universal, and aired a special on Comedy Central over the Spring of 2009. Time Out London gave the special five stars and wrote, “He’s an Enigma wrapped in a riddle, multiplied by a puzzle is Brendon Burns. That and a squawking, foul mouthed pricker of pomposity, whom it’s nonetheless hard to love… the most jaw-droppingly awkward, painful, yet ultimately rewarding piece of stand up we’ve ever seen. He might be irritating but he’s very good”

Also in the fall of 2009 Burns made his US TV debut on Paul Provenza’s Green Rooms on Showtime as a regular contributer and panellist. Appearing alongside such greats as Eddie Izzard, Andy Kindler, Andy Dick, Roseanne Barr, Larry Miller, Dana Gould and Johnathon Winters. From there Burns recorded his first US album for Stand Up Records in Chicago and tore New York a New one to boot.

Back in the UK Burns put the finishing touches on his seventh album, The Thinking Man’s Idiot on the Laughing Stock label, available on i-tunes and the Laughing Stock website.

Over the winter Burns has finished his first semi-autobiographical novel, “Fear of Hat Loss in Las Vegas” with trans-world publishing available in August.

Already his writing skills have garnered critical recognition.

** CRITICS CHOICE **

"Wisecracks are fine for a few minutes but they soon grate. The stand-ups who can hold your attention for an hour or more are those brave enough to tell you what they really feel, and the modern master of this autobiographical genre is Australian comic Brendon Burns. More like a beat generation writer - Charles Bukowski or William Burroughs, perhaps - Burns' tales of his sexual exploits, certainly bear comparison, and he trumped Burroughs by handing out magic mushrooms to punters at Glastonbury. No other stand-up has matched the scope of his confessional trilogy, which traced his descent into madness: you'd need to look to writers rather than comedians to find monologues of such ambition. He understands the first rule of good writing: that the honest truth is often funny and never dull. And that's exactly what you get with Burns."
-- William Cook, The Guardian

“One of the break out stars of the Festival”
-- Bill Brownstein, Montreal Gazette

“It is a tremendous thrill to see a comedian who has been excelling at his craft for years reach a new peak. Brendon Burns has achieved this with a truly remarkable show in which he tests, pushes and attempts to redefine the boundaries of taste in racism, sexism and homophobia.”
-- Chris Wilson, The Stage

“..this show is huge, it is absolutely the smartest thing I have ever seen in the comedy section and yes, it is funny.
…you are still a couple of brilliant elements away from the genius of this breathtaking, ruthless, perfectly judged show.
… You have only ever really toked on pure socio-political comedy. Which is not without its effect. With Brendon you are mainlining. And the hit is a feeling I will never, ever forget. Last night I had to accept that I am part of the problem… respect, sir. And not a little awe.
-- Kate Copstick, The Scotsman

“Brendon Burns was absolutely fantastic but nothing he said can be repeated in this paper”
-- Montreal Gazette

“He’ll guarantee the ride of your life. Why did we ever let him go?”
-- Beat Australia

“He has been compared to the legends…Burns has it in spades”
-- William Cook, The Guardian

“. He remains as hardcore and as disturbingly funny as ever. The high octane Aussie comic discomforts, disarms and disables you in equal measure”
-- Veronica Lee, The Sunday Telegraph

“One of the most exciting comics working in the UK”
-- Time Out

“Just occasionally a comedy show is so good it is like falling in love. You run out punching the air, feeling full to the brim with lust for life and joy. I ran out of mobile phone juice calling my friends and telling them to buy tickets… loud, brash, rude, in your face and fantastically laugh out loud funny. This is really something special, a show that makes you howl with laughter, which takes you right up to the emotional edges and which draws its strength from something very deep and pure. Long Live Brendon Burns”
-- The Scotsman

“Remains undiminished at his blasphemous best”
-- The Herald

“An exceptionally funny performer… and ode to the healing power of the human spirit… One of the circuits most intelligent artists”
-- Evening News

“A fascinating show, extremely funny and very moving”
-- The Stage

“…You have to hail a comic who exposes his life so willingly, who takes his audience on such an emotional ride without resorting to course manipulation, who has the courage to flirt with conventions of bad taste, who has the power of delivery to overwhelm resistance, revulsion and downright hostility, and, most of all, who makes it all damn funny. Brendon, have that fifth star you've never before received from Chortle. God knows, you've been through enough to earn it.”
-- Steve Bennet, Chortle


BRENDON BURNS webSITE

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Man Verses Moon
by Dan Oliverio 

May 7th, 2010 - June 26th, 2010

Poet & playwright Federico García Lorca races to finish his masterpiece, Blood Wedding, as his dreams invade the stage launching him on a quest to rescue a boy who’s been kidnapped by the moon. Marauding Greeks, a runaway bride, and a raging gay nightclub known as Green. Will Lorca finish his play before the fascists execute him? Will he be able to elude the seduction of Sardanápalo, the great Assyrian hedonist turned nightclub owner? Will he escape Ajax, the brutal, laconic warrior, and finally enter the ring for the title fight of… MAN VERSES MOON.

Man Verses Moon is an adventure woven from Lorca’s personal biography, his most famous play Blood Wedding, and the characters and images from his poetry, in particular a salacious manuscript suppressed until recently by Lorca’s family. The counterpoint of these works tells of Lorca’s triumph and ultimate transformation as he wrestles with his passions and sexual desires.

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OBSESSION
 

May 27, 2010

"dead ex-girlfriends and other aphrodisiacs...."

We're asking very funny people to tell their short stories of things and people they have been obsessed over!

STORIES OF OBSESSION

Hosted by :
Jimmy Pardo

Featuring :
Maria Bamford
Eddie Peppitone
2 Tonight Show writers
and more!!

Partial proceeds from ticket sales will go to the Red Cross Disaster Relief Fund.

ONE NIGHT ONLY! THUR MAY 27 @ 10pm
Event starts after the MAIN EVENT : "Man vs Moon".

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The Last Show at 1110 Seward TONIGHT!